Aleksander Wat is the pen name of Aleksander Chwat (1 May 1900 – 29 July 1967), a Polish poet, writer, art theoretician and memorialist, one of the precursors of the Polish futurism movement in the early 1920s, considered to be one of the more important Polish writers of the 20th century.
Aleksander Chwat was born on 1 May 1900 in Warsaw, at that time under Russian rule, into a well-established and prosperous Jewish family. His father, an observant Jew whose first language was Yiddish, allowed his children a liberal education. His family had interests in Polish literature and drama and one of his sisters, Seweryna Broniszówna, became a very well known actress.
After a brief service with the Polish Army he graduated from the Faculty of Philology of the Warsaw University, where he studied philosophy, psychology and logic.
In 1919 he was among the young poets to proclaim the advent of new, futuristic poetry. The following year he published the first set of his poems, Pug Iron Stove, which gained much popularity among the supporters of the new trends in literature of the epoch. In 1927 he followed up with a volume of short stories, Lucifer unemployed. Until 1922 he was one of the creators of the influential monthly magazine Nowa Sztuka ("New Art"; appeared 1921-22), followed by Almanachy Nowej Sztuki ("New Art Almanach") and "the increasingly rabid Communist periodical" Miesięcznik literacki ("The Literary Monthly"). He contributed in the dissemination of the work of Vladimir Mayakovsky and of Futurism in general across Poland, before becoming a supporter of communism. Until 1931 he was one of the main journalists of the Marxist Tygodnik literacki ("Literary Weekly"). Between 1933 and the outbreak of World War II in 1939 he was also the literary director of Gebethner & Wolff, the biggest and the most renown Polish printing house of the time.
After the Nazi invasion of Poland in 1939 he moved to Lwów, then under Soviet occupation. Despite his sympathy for Communism, he was arrested by the NKVD in 1940. He was held in detention successively at the former Zamarstinov military prison in Lwów, then in Kiev, at the NKVD's Lubyanka prison in Moskow, and finally at Saratov. Freed from prison in November 1941 under the terms of the general amnesty for Poles prompted by the Nazi invasion of the Soviet Union, he was exiled to Kazakhstan together with his wife Paulina, usually called Ola (1904-1991) and his 9-year-old son Andrzej.
During the war one of his brothers was killed in the Treblinka extermination camp.
In Poland after the war
In 1946 Wat was allowed to return to Poland, where he was appointed chief-editor of the State Publishing Institute (PIW). However, the seven years spent in the Soviet Union had cured him of his Communist sympathies, turning him into an outspoken supporter of democracy. Considered not reliable enough by the Soviet-sponsored Communist authorities of Poland, he was removed from his position and not allowed to publish his own works. Instead, he devoted most of his time to translating of several classical pieces of English, French, German and Russian literature to Polish.
Portrait of Aleksander Wat by Yezy Jankowski
In 1953, affected by Stalinist repression, Wat suffered a stroke, marking the beginning of an incurable psychosomatic condition, which from then on caused him acute physical pain and a state of oppressive anxiety.
In the wake of the political thaw induced by Nikita Khrushchev's process of de-Stalinisation, Wat returned to public life in 1957.
Years in France, USA
In 1959 Wat emigrated to France and settled in Paris. In 1963 he received an invitation to teach Slavic Literatures at the Center for Slavic and East European Studies of the University of California, Berkeley. From the beginning of 1964 until June 1965, Wat worked at Berkeley. There he recorded a series of discussions with Czesław Miłosz about his life, which he considered a kind of "spoken diary", published posthumously under the title "My Century".
Wat took his own life on 29 July 1967 at his home in Antony, France. The disease of which he had suffered for fourteen years is usually quoted as the cause of his final act, but biographer Tomas Venclova sees the wave of East European anti-Semitism that followed the Six-Day War as the triggering cause. During his youth Wat had long considered to finish his life before reaching the age of twenty-five, which he saw as the last moment before the onset of inevitable mental ossification.
Wat had a deeply conflicted religious identity: the son of a Jewish scholar, he developed an atheistic worldview as a young boy due to his extensive reading, but converted to Catholicism during his time in Soviet prisons. His last wish was to be buried in a Christian cemetery in Israel.
Portions of Wat's literary archive, including the audio recordings of interviews with Czesław Miłosz that were edited into Moj Wiek (translated into English by Richard Lourie as My Century), are held at the Beinecke Rare Book and Manuscript Library, Yale University.